I think this fits right into one point of my triad life-philosophy that I attribute to BBSP wisdom: be a gourmand, not a glutton. If you’re buying something new, put energy into buying from sick artisanal jaun makers and minimize the amount you buy from faceless corporations (but don’t beat yourself up for not being able to do this 100% of the time) and for the necessities for which you can’t be shelling out the “you’re an artist, now take my money” moola, try copping second hand so at least you’re recycling rather than begetting new materials into the ecosystem.
While I don't want to recommend much of anything that's plastic, I rock a lower-cost plastic Kaweco fountain pen & I really like how it writes, fwiw. You can get them & their cartridges online from Good Liver or Greer Chicago. These also make a somewhat nice low-key gift.
I'm struck that your understanding of music here converges quite neatly with the music scholar Christopher Small's idea that better than thinking about the noun/thing "music" is to think about the verb/process "musicking." As it is for you, it's also essential for Small that we realize just how long a chain of people any instance of musicking involves; ticket-takers and cleaning staff are musicking just as much as a concert's headliner is, for example. Maybe another way of putting your point here is that we might learn to see slappers less as things and more as processes of slapping.
On the flipside, a more recent trend in thinking about music points out music's materiality and its eco-material costs—perhaps giving us reason to feel the kind of ambivalence about consuming it that we feel more instinctively about clothes. The easy way to see this is in recorded music, which has depended on first shellac and then petrolium-based plastics and nowadays rare earth metals and lots of electricity for streaming. But it's even true in live music like symphony orchestra concerts which, for example, often feature jet-setting conductors and soloists who leave accordingly sizeable carbon footprints.
Well put up and down. Wasn’t familiar with Small — that’s great. And I couldn’t put it any better than “we might learn to see slappers less as things and more as processes of slapping.” 🔥
“Are these pants a symphony?” is a great question to ask, always. Also, nice nod to Boadrum (one of my top musical experiences ever — photos, videos, and recordings really don’t do it justice). And nice hummingbirds shoutout. I recently listened to an interview with your fellow East Bay writer Ed Yong where he rhapsodized about how magical they are. The divebombing sounds amazing!
I think this fits right into one point of my triad life-philosophy that I attribute to BBSP wisdom: be a gourmand, not a glutton. If you’re buying something new, put energy into buying from sick artisanal jaun makers and minimize the amount you buy from faceless corporations (but don’t beat yourself up for not being able to do this 100% of the time) and for the necessities for which you can’t be shelling out the “you’re an artist, now take my money” moola, try copping second hand so at least you’re recycling rather than begetting new materials into the ecosystem.
Hard to argue with that
Great, as always. That in mind, do you have any favorite pens or pencils lately?
While I don't want to recommend much of anything that's plastic, I rock a lower-cost plastic Kaweco fountain pen & I really like how it writes, fwiw. You can get them & their cartridges online from Good Liver or Greer Chicago. These also make a somewhat nice low-key gift.
hahah - im a simple man penwise. you give me a pilot G2, a uniball, a micron, etc., and i'm good
for "fancier" purposes i have a brass kaweco fountain pen erin got me for my birthday a few years ago
Lovely meditations, as ever.
I'm struck that your understanding of music here converges quite neatly with the music scholar Christopher Small's idea that better than thinking about the noun/thing "music" is to think about the verb/process "musicking." As it is for you, it's also essential for Small that we realize just how long a chain of people any instance of musicking involves; ticket-takers and cleaning staff are musicking just as much as a concert's headliner is, for example. Maybe another way of putting your point here is that we might learn to see slappers less as things and more as processes of slapping.
(Check it: https://www.weslpress.org/9780819572240/musicking/)
On the flipside, a more recent trend in thinking about music points out music's materiality and its eco-material costs—perhaps giving us reason to feel the kind of ambivalence about consuming it that we feel more instinctively about clothes. The easy way to see this is in recorded music, which has depended on first shellac and then petrolium-based plastics and nowadays rare earth metals and lots of electricity for streaming. But it's even true in live music like symphony orchestra concerts which, for example, often feature jet-setting conductors and soloists who leave accordingly sizeable carbon footprints.
(Very recommended on this: https://mitpress.mit.edu/9780262537780/decomposed/)
Contradictions everywhere, I suppose.
Well put up and down. Wasn’t familiar with Small — that’s great. And I couldn’t put it any better than “we might learn to see slappers less as things and more as processes of slapping.” 🔥
can you put some symphonic east bay hikes in the spymall? 👀
can't go wrong with claremont canyon, redwood regional, and briones !
morgan territory down by livermore is an all timer if you are up for the schlep
thanks for the 90s Rockets love!
🫡
“Are these pants a symphony?” is a great question to ask, always. Also, nice nod to Boadrum (one of my top musical experiences ever — photos, videos, and recordings really don’t do it justice). And nice hummingbirds shoutout. I recently listened to an interview with your fellow East Bay writer Ed Yong where he rhapsodized about how magical they are. The divebombing sounds amazing!